Curious Wallingford

If I had to pick a place in Vermont I loved most, it would probably be the town of Wallingford. A small town unknown to most, a shimmer in the rolling geography and rushing traffic moving from Rutland to Bennington. Wallingford offers an attractive historic village on Route 7 and an incredible amount of vast land rising up the wooded slopes of the Green Mountains to the east of town – a rugged and wild landscape of boulders, dark forests and streams fed by melting ice.

I spent some of the best days of my childhood here at my deer camp, cherished memories that still haunt me today. But apart from all that, Wallingford is a town of intrigue and mystery. Its deep forests have swallowed ghost towns and have buried the remnants of an impolite massacre that happened over a century ago.

My favorite entrance to any town, ever. You can’t beat the view as Route 140 curves its way into East Wallingford.

According to local lore, Wallingford’s Sugar Hill was where Maple Syrup was first made in Vermont. Roughly before the town became industrialized, the cryptic remains of the skeleton of a man were unearthed behind the old stone shop on Main Street, the rotting remains of a rusted gun barrel found alongside him. Some speculated that the remains were thought to be of a soldier of the French and Indian wars, but as to how he met his death, whether by treachery, lurking savage, disease or wild beasts of the Wallingford wilds, has never been known.

But perhaps the most mysterious area of town is an unforgiving and conspicuous geographical anomaly that can be seen from all parts of town – an area aptly named White Rocks.

Rising about 2,600 feet above The Valley of Vermont, White Rocks mountain is an incredible sight. During the last Ice Age, glaciers scoured and exposed the Quartzite cliffs that makes up the framework of the mountain. Over time, the slopes eroded to a point where the face of the mountain became weak, creating several massive rock slides that crumbled down the slopes to dales and glens below, sending gigantic Quartzite boulders, some larger than an average house, down the mountain ripping up the evergreen forests as they made their visible scars.

It is here amidst this merciless landscape where an area known as the Ice Beds lay, where melting ice harbored deep within protected mountain caves feeds crystal clear mountain streams that meander their way through the woodlands. The temperature drops a good 15-20 degrees here and is a welcome respite on hot summer days.

But there is another sight among the sites here, something far more likely to capture the most vulnerable of imaginations. According to a little-known piece of local lore that was in danger of almost vanishing; the White Rocks are said to be the final resting place of a fabled treasure lost over 2 centuries ago.

As the story goes, sometime during the late 1700s, a group of Spanish prospectors passed through the area now known as Wallingford seeking fortune in the new land. In the mountains, they discovered a rich vein of silver. The group began to set up mining operations and began to dig deep cavities at the base of the mountain. Here, they were able to work in secrecy where they smelted the ore and turned it into silver coins. Eventually, they decided that they all had enough to live comfortably for the rest of their lives. But there was a problem. They had no way to transport all of their newly found wealth back to Spain. They filled their saddlebags with what they could, and hid the rest in the mine. The opening was discrete and hard to find, and they all agreed that it would be highly unlikely that another wayward prospector or woodsman would stumble upon it. But just in case, they disguised the opening the best they could, with the hopes of coming back whenever they wanted if they needed more money.

Years passed and most of the original group had died off, all but one. A frail old man by now, he wondered onto the streets of Chester, Vermont looking tired and a little confused. A kind young local man noticed his appearance and asked the old man if he was alright and needed assistance. The Spaniard was apparently so grateful at his generosity and taken by his personality that he decided to return the favor in a way the wide-eyed young man could have never seen coming. The Spaniard told his new friend now known as Richard Lawrence that his that his saddle bags were filled with silver coins, and told him about the mine in Wallingford. He informed Richard that whatever treasure was left in the mine was his to keep, on the condition that he waited until he passed away to go claim it.

As it turns out, Richard proved to be just as honest as the old man had predicted, and didn’t tell anyone about the treasure until years later, when he told a few of his good friends and decided to set out to Wallingford and the mysterious White Rocks. But after a diligent and organized search, they could not find the opening of the cave. Search efforts carried on for several months, but after frustratingly grueling hours, they reluctantly gave up and left with their heads and their hearts tossed around like the boulders that fell from those slopes long ago.

Today, the treasure has yet to be found, and the mountains still remain as elusive and mysterious. It’s no wonder that the deep area where the rock slide collided with the forest floor is known as “Chaos Canyon”. If you do believe that a buried treasure still exists within the catacomb of twisting caves and eternal ice behind the mountain, don’t plan on digging for it. The White Rocks is protected land, part of the White Rocks National Recreation Area within The Green Mountain National Forest. So for now, visions of buried treasure and the more humbling reality of the limitations of man will sink with the northern sun.

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White Rocks Mountain underneath the mists.
The Ice Beds at the base of the mountain, underneath thick mists that were beginning to settle deep in the rocky glens below the craggy summit. On dry summer days, the rocks provide a great place to climb around – something I have spent hours doing before. But not today. The rain that had began to fall had made the Quartzite boulders slippery and dangerous.

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If you venture up the Keewaydin Trail, you will eventually hike past a strange looking structure sitting off into the woods. It looks like a miniature house that comes up to your chest, but this odd little one-roomed structure is long abandoned, as indicated by a giant hole in the roof. Peering inside, the rotting interior was filled with stagnant black water. There seemed to be a stream, either natural or created by runoff oozing out from underneath it. But what was it? I had no ideas. A passing hiker informed me that this was one of Vermont’s “Fairy Houses“, which are scattered mostly around the town of Grafton. But after doing the research, it just didn’t add up. This seemed more utilitarian, and a little less…I’m not sure, whimsical? Maybe this was something that once protected a natural spring? If anyone has any idea, feel free to pass the information along.

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The White Rocks and their vast silence of a still winter’s day. The hike was great.

From the White Rocks, Route 140 twists its way down through a deep gulf formed by the aptly named Roaring Brook. The narrow highway offers one more serpentine turn before dipping into Wallingford village, where elegant Victorian houses climb down the hillside to the small downtown district. Here, at the only traffic light in town, sits another Wallingford curiosity that is far more gentle than the White Rocks, but practically as enigmatic.

It’s made out of cast iron, colorfully painted, and depicts a young boy holding a boot which eternally drips water from a small hole into a circular pool below – his faraway eyes forever depicting a state of reverie. This is Wallingford’s “Boy with the Boot”.

At the base of the statue pool, there is a small plaque that reads: “Erected to the memory of Arnold Young by his children, April 3, 1898.” Arnold Young was the innkeeper of the Wallingford House hotel that sits directly behind the statue. It is said that Arnold’s children thought that this statue would somehow be a fitting memorial and gift to their father. But it seems like a rather peculiar memorial that a well-respected innkeeper would choose. Would Mr. Young have chosen a different memorial, rather than a boy with a leaking boot? Or maybe there was some sort of comedy at work here – an inside joke perhaps, or something that the Wallingford of the late 19th century would have understood that has since been lost?

Around 1910, the Boy disappeared and was discovered ten years later in the Inn’s attic. He was restored and has since stood in front of the hotel. The statue has become an icon of community pride, so much so that the Wallingford town website even features an animated Boy and the Boot.

The mystery, however, deepened even more after I had published an article about it in the Rutland Reader. Some old-timers recalled the statue once being painted black, and others say his eyes were originally closed, only to be painted open. And others argued against both claims, saying the statue has always looked the way it did when I photographed it.

But it wasn’t until I found a compilement of speculated history that just adds to the mystery continuum, because none of the interesting information I read was sure of itself. Written up by Emma B. Towsley, Alex Fleck and Charles Hill (a descendant of Arnold Hill), this edifice may just be ” the most mysterious statue in the world”. According to the essay title anyways.

More than 80 years ago, seven of these statues were allegedly shipped to America from Germany, but to contradict this, others have argued that this statue isn’t of German origin, but have no records as to where it’s from. Records or not, some say it came from Rome, Italy. But the Italian Embassy in New York City didn’t seem to agree with that statement. But a Swedish gentleman who had traveled through Italy swore he saw the original copy, and then had a copy of it made which can now be found existing in Stockholm, Sweden.  It seems like many more copies had been made around the 1800s, and were given as gifts to English, Canadian and American cities. But no one, not foreign governments, so-called authorities of art and state museums couldn’t weigh in at all as to who the original sculpture was.

There has been a “Boy With The Leaking Boot” Statue in Fresno, California for over 64 years, Winnipeg, Canada since 1895, Menominee, Michigan’s was brought over from Germany over 70 years ago, and the oldest one of them was around for more than 80 years in front of the Porter House Hotel in Sandusky, Ohio, where the Porterhouse Steak was debuted. Ellenville, NY is the only city to have two copies. Ohio once had two, but one died in the impact of a car crash in Wellsville. Records show that Seattle had one that came from Belgium, but it was later stolen.

The boy, suggested being depicted as being about ten years old, is an enigma himself. Who was he? One theory published long ago in an English newspaper said that the boy was modeled after a well-liked newsboy who sold papers on the streets of a town in Italy, and as the story goes, tragically drowned while he was fishing. But two men in a Californian city give their own story, and say that this boy was actually a “drummer boy” in either the Revolutionary War or Civil War, and would try to care for sick or wounded soldiers on the battlefield. Using what little he had, he pulled off his boot, ran to a nearby creek and filled it with water to give the agonized men a drink, while plugging up the hole in the front of the boot so the water wouldn’t leak out as he was running back.

All we know for sure is that fifteen of them were made, and one is on display in the middle of downtown Wallingford.

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To all of my amazing fans and supporters, I am truly grateful and humbled by all of the support and donations through out the years that have kept Obscure Vermont up and running.

As you all know I spend countless hours researching, writing, and traveling to produce and sustain this blog. Obscure Vermont is funded entirely on generous donations that you the wonderful viewers and supporters have made. Expenses range from internet fees to host the blog, to investing in research materials, to traveling expenses. Also, donations help keep me current with my photography gear, computer, and computer software so that I can deliver the best quality possible.

If you value, appreciate, and enjoy reading about my adventures please consider making a donation to my new Gofundme account or Paypal. Any donation would not only be greatly appreciated and help keep this blog going, it would also keep me doing what I love. Thank you!

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The Walloomsac Inn

It’s a point of pride for a community to be able to call themselves the home of something, or boast themselves as a standout locality. Bennington’s tourism slogan bills itself as “Where Vermont begins”, and that’s pretty accurate. The sizable town is located on the right angle that creates Vermont’s southwest corner, 6 miles from both the Massachusetts and New York state borders on U.S. Route 7, the most traveled road in the state.

Bennington is the type of town that probably prefers to be known for its verdant scenery, state-mandated lack of billboards and quaintness with a pricey college and liberal vibe. But more cryptically, it’s also another gateway – to the state’s fabled Bennington Triangle, a vast area of mountainous wilderness to the northeast of town where people have been known to disappear without a trace. Though the “Bennington Triangle” won’t appear on Google maps or a Rand McNally atlas, Old Bennington certainly will.

The area of town known as Old Bennington is just that – it’s the oldest settled part of town, and an official historic district located on state Route 9 west of the present day Downtown. Probably the most identifiable landmark in a neighborhood of colonial-era homes, old burial yards and white picket fences, is a brooding structure towering behind a veil of trees and creeping vines. This locale upholds as my favorite sight in town. Maybe because it looks like it doesn’t belong right in the epicenter of the tourist hub historic district that prides itself on aesthetics, or maybe it’s because it holds a great mystic to it.

It’s sagging porches and balconies and weather-beaten wood facade with crooked shutters conjuring a wistful image that carries the weight of its ghosts. The building successfully drew my attention, and apparently every other passing car, as many slowed down in front of me to take a better look at the place before speeding up back to the legal limit and heading down the hill towards downtown. So, what is this place? Its appearance is so galvanizing that it’s impossible not to go woolgathering when you gaze at its gray entropy and wild vines against the idyllic clean whiteness of the clapboard church that sits just at the other end of the corner.

You’re staring at the ruins of The Walloomsac Inn, once a venerable hotel with a storied legacy, now an intriguing eye magnetic corpse that mystifies and takes your attention successfully.

However, despite appearances, it’s not abandoned. The family who owned the hotel in the last years of its life, still live there. I recall hearing a story where, years ago, a writer for the Bennington Banner ventured to the front door to check the place out, and was not so pleasantly surprised when the owner greeted them.

So, what’s the story here? The Bennington Museum website turned out to be a great source of information. The hotel has the distinction of being the oldest in Vermont, something most people would probably never guess. Dated back to 1771, the mystery immediately begins with its construction. Popular wisdom states that it was built by Elijah Dewey, son of Bennington’s first minister, but others have said that claim is false, leaving it up for speculation, but from my research, the inn was first run by the Dewey family. The original structure still stands today, the part directly facing the cemetery, which also happens to be the part of the hotel that is still currently inhabited.

In 1818, the inn was purchased by James Hicks and his family and became known as Hicks Tavern. The tavern doubled as a stagecoach stop, and because the journey to and from New York was a long one, taking around four days to complete, its location proved to be good for business. Hicks eventually enlarged the building in 1823, adding the third floor and installing a ballroom on the second floor.

The Inn grew in popularity until 1848 when the railroad came to the region, ending stagecoach travel. While many herald the railroad as a cause for celebration, Bennington was served by something called a “corkscrew line”, operated by the Rutland Railroad, which is as terrifying as it sounds. The stretch of tracks were known for their “spectacular derailments“, which probably weren’t as celebrated. The inn was purchased by George Wadsworth Robinson, who changed its name to Walloomsac House, after the river of the same name which runs nearby. But business was never quite as successful as it was during the stagecoach era, when travelers would arrive at its doorstep, so in a vain effort to attract summer visitors, Robinson constructed observatory towers on nearby Mt. Anthony, which would have offered impressive views of 3 mountain ranges; The Greens, Berkshires and Taconics. Unfortunately, the mountain’s high winds often blew them over and because putting people’s lives at risk is bad for business, the idea was abandoned. Eventually, the hotel changed hands again, this time it was bought by Mrs. Mary Sanford Robinson and her brother, Samuel Sanford.

In 1891 Sanford hired a proprietor named Walter Berry, who after five years was able to purchase the inn and it has been owned by the Berry family ever since. Walter Berry decided to expand the hotel, and added the large three-and-a-half-story addition on the rear of the original building, which is probably the most photographed part of the hotel.

The hotel operated sluggishly until around 1996, the property closed for good, and time has sadly not been kind to it. I spoke to a few people who recall staying there during the 80s, and gave me descriptions of the place being dusty, run down and musty, with sort of an uncomfortable feeling attached to it.

If this blog has been able to prove anything, it’s that things fade with time and neglect – the Walloomsac wasn’t immune to that rule, and continues to deteriorate for all to see. The current owners most likely can’t afford the massive bill to fix it up, and state historic preservation regulations no doubt have provided a massive obstacle to deal with, but its state of limbo is a rather curious one. The information on the internet is surprisingly sparse.

I can only imagine what the inside must look like. Are there dark and musty hallways and ancient guest rooms covered in dust and disarray? Does sunlight swirl through the gaps in the broken shutters, making linear patterns on the dirty walls? Or perhaps it has been renovated and cleared over the years, leaving only the shell? Or maybe, the grungy outsides are hiding a lavish interior, which would be a great joke and a lesson on judgment all in one.

A friend of mine, who has an obsession with the old hotel, had stopped in Bennington in May of 2015 and wrote me an email with some further clarification about its condition.

The hotel’s current owners, descendants of the Berry family, are merely following instructions of the family will, which stated that no one is to touch the building, and to leave it as is. But, it seems they may have took it a little too seriously! While it may look like it’s going to collapse, another bit of research revealed that underneath the wry expression of its decrepit clapboard siding, the hotel is actually made of brick underneath, which is why the building is showing almost no sign of slumping or bowing into a shape that would rattle a state inspector. That was something that amazed me on my first visit.

While the old hotel, rotting in the middle of town, has a pretty storied history behind it, I sort of enjoyed the place more when it was enigmatic to me, and left my mind to its own devices.

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View from Route 9. The original 1771 structure (with front porch) and the newer addition in the back left.
View from Route 9. The original 1771 structure (with front porch) and the newer addition in the back left.

I stopped by again during summer’s last days of 2016 and got some more photographs. I will never object to making a jaunt here for a photo opportunity, it’s one of my favorite haunts in Vermont, and that day, a storm I was racing just happened to catch up with me outside, giving the place, and my photographs, some great atmosphere.

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Years ago, I had the pleasure of befriending Stuart Clough in an urbex related Facebook group. We both had similar interests and personalities and just clicked. He is also interested in the Walloomsac, and actually got his hands on an old book that featured both its history and photographs of the inside! He graciously scanned the photos and sent them my way, which I was incredibly excited about.  Thanks Stuart!

The Most Interesting Statue in Bennington

A passing thunderstorm was making its way over The Green Mountains, and the air became noticeably cooler, as a pungent earthy smell rode the winds that blew. The Walloomsac Inn underneath dark thunderheads certainly looked like the stereotypical haunted house.

Back in the car, myself and a good friend joining me for a road trip headed back towards Route 7, but stopped when we saw a startling statue in front of the Bennington Museum that looked all kinds of infelicitous. We pulled into the parking lot to get a better look, and I had no idea what I was staring at. A giant bronze statue of Abraham Lincoln with his green-ish weathered hands placed on the head of two naked companions, one of them a small child. What?

I’m sure there had to be a story here. Later on, Seven Days would come to my aid and answer the question behind this puzzling statue. As it turns out, the sculpture, designed by Clyde du Vernet Hunt, was actually intended to be more uplifting rather than suggestive.

In a nutshell, the two people kneeling in front of honest Abe were taken from two other sculptures he had commission earlier, the boy came from a piece called “Fils de France,” which depicted a naked boy gazing into the distance in his own reverie, was supposed to symbolize France’s rebirth. The girl came from his piece, “Nirvana”, which is said to represent “spiritual emancipation from passion, hatred, and delusion.” The figure of Abraham Lincoln was sculpted in 1920, and he made the unfortunate decision of combining the three pieces together, thus creating “The American Dream” – the official name of the sculpture. Maybe it’s just me, or maybe Clyde really missed the point he was going for.

The statue has become a landmark, but probably not like the artist would have wanted. Instead of a symbol for the virtuous, it acts as a novelty to teenagers who take their pictures with it. But I suppose, art is subjective.

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To all of my amazing fans and supporters, I am truly grateful and humbled by all of the support and donations through out the years that have kept Obscure Vermont up and running.

As you all know I spend countless hours researching, writing, and traveling to produce and sustain this blog. Obscure Vermont is funded entirely on generous donations that you the wonderful viewers and supporters have made. Expenses range from internet fees to host the blog, to investing in research materials, to traveling expenses. Also, donations help keep me current with my photography gear, computer, and computer software so that I can deliver the best quality possible.

If you value, appreciate, and enjoy reading about my adventures please consider making a donation to my new Gofundme account or Paypal. Any donation would not only be greatly appreciated and help keep this blog going, it would also keep me doing what I love. Thank you!

Gofundme: https://www.gofundme.com/b5jp97d4

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